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	<title>Eugénio Rodrigues &#187; String quartet</title>
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	<description>Eugénio Rodrigues - Music</description>
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		<title>escape velocity</title>
		<link>https://eugeniorodrigues.com/?p=217</link>
		<comments>https://eugeniorodrigues.com/?p=217#comments</comments>
		<pubDate>Thu, 04 Dec 2003 20:20:12 +0000</pubDate>
		<dc:creator>Brainstorm</dc:creator>
				<category><![CDATA[Chamber Ensemble]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[String quartet]]></category>
		<category><![CDATA[Wind instrument]]></category>

		<guid isPermaLink="false">http://eugeniorodrigues.com/?p=217</guid>
		<description><![CDATA[(2003) 11&#8242; solo wind instrument (Eb clarinet, Bb clarinet, oboe or soprano sax) and string quartet (or octet) Commissioned by Andrew Swinnerton for the Gulbenkian Fundation Chamber Music Series Score Excerpts]]></description>
				<content:encoded><![CDATA[<p><em>(2003) 11&#8242; </em><br />
solo wind instrument (Eb clarinet, Bb clarinet, oboe or soprano sax) and string quartet (or octet)</p>
<p><em>Commissioned by </em>Andrew Swinnerton for the Gulbenkian Fundation Chamber Music Series</p>
<p><span id="more-217"></span></p>
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			<h3 class="toggler">Program Notes</h3>
		<div><div class="content wk-content clearfix"><p>“Escape velocity” is the speed at which a body – a spacecraft, for instance – overcomes the gravitational pull of another body, such as the Earth. </p></div></div>
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<p><em>Score Excerpts</em><br />

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					<a class="" href="/wp-content/uploads/Score_Excerpts/Escap_Velocity/1_escape.jpg" data-lightbox="group:872-6a21c68246e04" ><img src="/wp-content/plugins/widgetkit1/cache/gallery/872/1_escape-ba3a721cf7.jpg" width="160" height="113" alt="1_escape" /></a>
				
		
			
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		<title>mata hari</title>
		<link>https://eugeniorodrigues.com/?p=207</link>
		<comments>https://eugeniorodrigues.com/?p=207#comments</comments>
		<pubDate>Fri, 04 Dec 1992 20:08:51 +0000</pubDate>
		<dc:creator>Brainstorm</dc:creator>
				<category><![CDATA[Chamber Ensemble]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[String quartet]]></category>

		<guid isPermaLink="false">http://eugeniorodrigues.com/?p=207</guid>
		<description><![CDATA[(1992) 12&#8242; string quartet First Prize in the Washington International Competition 1994 Score Excerpts]]></description>
				<content:encoded><![CDATA[<p><em>(1992) 12&#8242;</em><br />
string quartet 				</p>
<p><em>First Prize in </em>the Washington International Competition 1994</p>
<p><iframe width="560" height="315" src="https://www.youtube.com/embed/deFp44OSlN4" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></p>
<p><span id="more-207"></span></p>
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			<h3 class="toggler">Credits</h3>
		<div><div class="content wk-content clearfix"><p>ARDITTI QUARTET</p>
<p><em>violins</em> Irvine Arditti, Graeme Jennings<br /><em>viola</em> Dov Scheindlin<br /><em>cello</em> Rohan de Saram </p></div></div>
			<h3 class="toggler">Program Notes</h3>
		<div><div class="content wk-content clearfix"><p>The initial idea for this work originated out of my fascination with the persona Mata Hari and my interest in dance.  Combining the two, I decided to write a sort of "erotic" dance as  I imagined Mata Hari might have performed.  Mata Hari,  whose real name was Margaretha Geertruida Zelle, was executed on October 15, 1917 by the French military accused of spying for the Germans.  She gained fame, throughout  Europe, for her erotic dances as well as for her numerous affairs with French, Dutch and German government officials and secret service agents.  The persona, Mata Hari, defined the myth of the secret agent and brought the profession to its highest regard in this century. In 1932, French authorities recognized that no tangible evidence had been found against her.</p></div></div>
			<h3 class="toggler">Review</h3>
		<div><div class="content wk-content clearfix"><blockquote>
<p><strong><em></em></strong>… with the strongest impact was Eugénio Rodrigues' 'Mata Hari' for string quartet… It opened simply, with a long series of harmonized drones like a bagpipe, then grew in complexity–notably in its intricate, powerful dance rhythms–to represent the character of the World War I spy and femme fatale.</p>
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<p>The Washington Post - Washington, DC December 17, 1994</p></div></div>
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<p><em>Score Excerpts</em><br />

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					<a class="" href="/wp-content/uploads/Score_Excerpts/Mata_hari/1_mata_hari.jpg" data-lightbox="group:884-6a21c6824eb9a" ><img src="/wp-content/plugins/widgetkit1/cache/gallery/884/1_mata_hari-48cad22151.jpg" width="160" height="226" alt="1_mata_hari" /></a>
				
		
			
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